And honestly, the game Anna and Rembrandt play throughout the movie is part of what keeps it so interesting. Which will probably be as intriguing to you as it is to Anna. He comes in, debonair enough to be interesting, but knows when to leave before he becomes pompous. I don’t know the male term for a femme fatale, but Keaton as Rembrandt makes you think someone should make up a word. Which helps Q’s character as you care so much more about her avenging her mentor than the mystery of David Hayes and her encounters with most of his associates. It reminds you the man has a Bachelor’s Degree in Drama and has both the foundation which comes from a formal education and that which comes from learning on the job. In this scenario, he gives a monologue, talking about good, bad, and evil, which, with his delivery, doesn’t lead to his scene partner saying or doing anything notable, but it connects with the audience. And while the other person gives you nothing, when Jackson can’t make the most out of his scene partner, he makes the most out of his connection with the audience. Prime example, there is a character in the film that Jackson shares a scene with who you’ll have very little reason to give a damn about, and their scene has some length to it. One of the reasons for that is he connects with whatever character he plays off of.
But there is no denying that it comes at such an ease for her that she could easily do it while being much more than a woman who happens to know how to kick ass. Granted, maybe Q didn’t want to become typecast as some action hero or femme fatale type? I get it. This is why The Protégé feels like a reminder of what we have been missing and what should have happened almost a decade ago.
She’d be the pleasant surprise in a supporting role or part of an ensemble cast. However, as someone who doesn’t see a whole lot of commercials, it seemed like, after Nikita ended, Maggie Q would pop up but not be the lead/star she proved herself to be. I’m fully aware Maggie Q has had a slew of jobs since, Nikita, of which we’d covered quite a few. This is most definitely an action-packed film that is filled with dry humor and excellent dynamics between Michael Keaton, Maggie Q, and Samuel L. Heck, this even has people killing children, for God’s sakes! Oh, and there are also scenes of torture, like Anna getting waterboarded. So you know there is cursing, blood, gun violence, and more. You’ll see a decapitated head for one, but alongside that, it is a Samuel L.Things To Note | Question(s) Left Unanswered Reason(s) for Film Rating
But, when someone decides to stick their nose in places it doesn’t belong, you can try to distract them as much as you can, and when that doesn’t work, you may have to kill them. Unfortunately for many, like Rembrandt, that means not getting to know the person who clearly has spent way too much time under Moody. That’s why when Moody looks into a person named David Hayes and seems to die due to his efforts, Anna decides to get answers and drop whatever body gets in the way of that. In fact, their friendship has lasted over 30 years.
Since she was a child, Anna has lived and been under the tutelage of a worldwide assassin named Moody.